AI production / Creative direction
Self-initiated · ongoing
No client, no brief, no budget — which is exactly why these are the honest measure of taste. Each one starts as a written premise: a world, a rule, and one thing that should not be there. The product is the only object in the frame that is actually for sale; everything else is set, and never tagged as if it were not.
Every one concepted, directed and produced by Isabella Dionisio Santos


Job 006 · Jewellery
Coral and moss, and nothing else. One sculptural silver piece is the only hard edge in a world made entirely of soft matter — smoke, grass, skin.


Job 007 · Handbags
Chartreuse, cobalt and burnt orange. The bag is the smallest thing in the frame and still the loudest thing in it.


Job 011 · Jewellery
Jewellery gets photographed on black velvet so the stones do the selling. Here the ground, the cloth and the skin are all matte, and the metal is the only thing in the frame that reflects — so it has to earn the attention on its own.
Mood board · Gate 01, the world
Reference only — the world assembled and signed off before a single campaign frame was made. None of these are the campaign.








Job 002 · Fragrance
Wet hair, white linen, one bruise-red pigment and no smile. The bottle is held like something she does not want taken off her — and the only styling note in the whole set is that nobody has dried off.


Job 008 · Pet outerwear
A country-house portrait where the dogs are dressed as carefully as the owner, and nobody in the room finds that unusual.


Job 009 · Eyewear
Everything in the frame goes soft except the product. The sofa is half-buried in cloud and the only hard line left is the cat-eye.


Job 010 · Fashion editorial
Fishing net made into couture on a salt flat, directed as a magazine story rather than an ad. One material, one prop, one set — and a beached red boat to argue with.